ARRiPhone LUT Pack — Cinematic ARRI Col…: is this $9.99 stack worth it for Films?
Quick answer
| Best for | iPhone shooters shooting in Apple Log or Rec.709 who want the ARRI ALEXA 35 color response without learning a full color science curriculum. |
| Skip if | You shoot exclusively on Android, use cameras that don’t output standard Rec.709/Log, or you’re looking for a full post-production course rather than a plug-and-play LUT pack. |
| Price | $9.99 |
| Format | 8 .cube LUT files (1.78 MB) + license/read-me docs |
| One-line take | A tight, scientifically tuned LUT stack that bridges the gap between iPhone footage and cinema camera color at a price lower than a single coffee. |
What you’re actually buying
If you’ve ever stared at flat Apple Log footage in DaVinci Resolve or CapCut, wondering why your iPhone clips look “digital” and lifeless compared to that rich, organic ARRI depth, ARRiPhone LUT Pack is built specifically to solve that exact frustration. At $9.99, you aren’t just buying a color filter; you’re getting a complete color science bridge. The pack includes eight custom-engineered .cube files that translate the ARRI Wide Gamut 3 color space into the Rec.709 standard your editing software expects. This isn’t a generic “teal and orange” preset. Each LUT is tuned for accurate tonal response, soft highlight rolloff, and natural skin tones that actually behave like professional cinema cameras.
The real value here is the variety within the pack. You get a main Log LUT, but also specific variants for contrast adjustments and a dedicated “HighlightRolloff” version to tame those blown-out skies that iPhone sensors often struggle with. For creators who hate fighting skin tones in post, the “PerfectSkin” versions (both v1 and v2) offer a more forgiving, natural look without the plastic feel of over-saturated beauty filters. If you don’t shoot in Log, the Rec.709 versions ensure you still get that cinematic depth from standard iPhone footage. This is a rare setup for the price: a full stack of 33-point precision LUTs that work seamlessly in DaVinci Resolve, Final Cut Pro, Premiere Pro, and even mobile editors like LumaFusion and CapCut. (ARRiPhone LUT Pack —)
One buyer on Gumroad reviews captured the exact pain point this solves: “LOVE THIS, I was having such a hard time color grading my LOG footage. I’m a newbie and don’t really know much so this makes my life so much better!!!” That’s the core promise—democratizing the ARRI look without requiring a degree in colorimetry. Another user noted, “Leaves my footage looking very clean and professional. This will help me get more clients for future projects!” For anyone shooting hybrid workflows or client work on a budget, that “clean and professional” baseline is often the difference between a rejected edit and a signed contract.
Why it’s on our radar
Most LUT packs for mobile shooters are either too aggressive (washing out skin tones) or too subtle (barely changing the image). ARRiPhone sits in the sweet spot because it’s explicitly engineered to match the ARRI ALEXA 35 color response within the specific limits of iPhone sensors. The inclusion of both Log and Rec.709 versions means it’s not a one-trick pony; it adapts to how you shoot. The specificity of the deliverables—like the separate contrast and rolloff variants—shows a seller who understands that “cinematic” isn’t a single look, but a range of tonal behaviors. For $9.99, you’re getting a tool that removes a significant layer of post-production guesswork. (ARRiPhone LUT Pack —)
What actually matters
Before you hit buy, check your shooting workflow. If you’re using the iPhone’s “Cinematic” mode or “Apple Log” in the Camera app, this pack is designed for you. The files are standard .cube format, so you don’t need any proprietary software to load them. One thing to verify is your editing app’s LUT support. While major NLEs like Premiere and Resolve handle them natively, some mobile apps have quirks with 33-point LUTs. If you’re strictly on CapCut, test the “Main” LUT first to ensure it applies correctly to your footage. Also, note that these are color correction tools, not magic. They work best when your exposure is relatively balanced; if you’re shooting heavily underexposed, you’ll still need to lift your shadows before applying the LUT. (ARRiPhone LUT Pack —)
Mid-check
If you’re ready to stop fighting with flat iPhone footage and start getting that cinema-grade depth, the price point makes this an easy “yes.” (ARRiPhone LUT Pack —)
FAQ
Do these LUTs work on older iPhones? Yes. The pack is tested on iPhone 17 Pro Max, iPhone 16, and iPhone 15 Pro, but the color science is based on standard Rec.709 and Apple Log profiles. As long as your iPhone outputs these color spaces, the LUTs should apply correctly, though the specific sensor characteristics of older models may vary slightly. (ARRiPhone LUT Pack —)
Can I use these in CapCut on my phone? Yes. The listing explicitly mentions CapCut as a supported editor. Since the files are standard .cube LUTs, you can import them directly into CapCut’s LUT library. Just make sure you’re applying them to the correct clip and that your app is updated to the latest version for best compatibility. (ARRiPhone LUT Pack —)
Is this a subscription or a one-time purchase? It’s a one-time purchase. For $9.99, you get the full pack of 8 LUTs plus the license info. There are no recurring fees or hidden costs. (ARRiPhone LUT Pack —)
Bottom line
If you shoot on an iPhone and want your footage to look like it came off an ARRI ALEXA 35, ARRiPhone LUT Pack is one of the most efficient ways to get there. It’s not a magic bullet for bad exposure, but for well-shot footage, it’s a transformative tool that adds depth, balance, and professional polish in seconds. At under $10, it’s a low-risk, high-reward addition to any mobile filmmaker’s toolkit.