Cinematic LUT Collection: is this $35 stack worth it for Films?
Cinematic LUT Collection from Tom Noske is a $35 option if you want structure instead of another half-finished plan. Here’s what stands out, who it fits, and what to confirm on Cinematic LUT Collection before you pay.
Quick answer
| Best for | Anyone who wants a clear $35 deliverable and will match the stack to a job they have this week. |
| Skip if | You need free tools only, a fully custom build, or something that doesn’t match the deliverables on the live page. |
| Price | $35 |
| Format | 8 stylized LUTs for Rec709: .cube files, 8 stylized LUTs for LOG: .cube files, + more |
| One-line take | Solid $35 stack if you want structure, not vibes. |
If that still sounds like you, see Cinematic LUT Collection pricing and what’s included before you commit.
What you’re actually buying
What you get in Cinematic LUT Collection is a focused stack aimed at filmmakers who need a ready aesthetic without spending hours in the color grade. The core is 16 stylized LUTs — 8 for Rec709 and 8 for LOG, both in .cube format — which is the standard for professional grading in Adobe Premiere, Final Cut Pro X, and DaVinci Resolve. These are not just presets; they’re designed to give a clean, cinematic aesthetic across a range of shooting scenarios, from indoor to documentary.
The pack also includes a 45-minute mini course on color grading, covering Tom’s personal workflow, how to make any LUT work with any footage, and even how to use Rec709 conversion LUTs to get the most out of LOG footage. This isn’t just a drop-and-forget pack — it’s a starter kit for people who want to learn how to apply these tools effectively.
There’s also a compatibility note that’s worth reading: these LUTs are tested to work on Canon, Sony, Blackmagic, ARRI, and RED cameras, which is a strong signal that they’re built with professional-grade footage in mind. Tom even includes tips and tricks for fine-tuning the look to your style — like adjusting opacity, contrast, and vibrance for best results.
Additionally, the pack ships 16 LUTs total, split evenly between Rec709 and LOG formats, and all are in the widely supported .cube file type. It’s also worth noting that the mini course is 45 minutes long, which is a significant amount of instructional content for such a low price. The compatibility with Canon, Sony, Blackmagic, ARRI, and RED is a strong selling point, as it ensures these LUTs work across a wide range of professional cameras.
Why it’s on our radar
This is the kind of pack that editors actually buy — not just for the LUTs, but for the specificity of the deliverables and how they’re built for professional-grade footage. Tom Noske doesn’t just sell presets; he sells tested, camera-specific LUTs that work across Canon, Sony, Blackmagic, ARRI, and RED — a rare level of detail that’s often missing in cheaper packs. The 45-minute mini course is also a strong addition for anyone who wants to learn how to apply these tools effectively, not just drop them in and forget.
At $35, this is a clear, focused option for filmmakers who want a ready-made cinematic aesthetic without the headache of building it from scratch. The pack is also compatible with all major editing platforms (Premiere, Final Cut, Resolve), which is a major checkmark for anyone looking for a versatile, no-hassle solution.
What actually matters
- Camera-specific LUTs tested on Canon, Sony, Blackmagic, ARRI, and RED — a strong signal of professional-grade quality.
- 8 LUTs for Rec709 and 8 for LOG, both in .cube format — the standard for professional color grading.
- 45-minute mini course on color grading, covering Tom’s personal workflow and how to make any LUT work with any footage.
- No fluff, no vague presets — this is a ready-to-use, cinematic aesthetic for indoor, outdoor, landscape, and documentary footage.
Mid-check
FAQ
What kind of LUTs are included? The pack includes 8 stylized LUTs for Rec709 and 8 stylized LUTs for LOG, all in .cube format.
Are these LUTs compatible with all major editing platforms? Yes — they work in Adobe Premiere, Final Cut Pro X, and DaVinci Resolve.
Do I get any learning material with the LUTs? Yes — a 45-minute mini course on color grading, covering Tom’s personal workflow and how to use the LUTs effectively.
Bottom line
If you’re a filmmaker who wants a clean, cinematic aesthetic without the headache of building it from scratch, Cinematic LUT Collection is a solid $35 stack that ships exactly what it promises. It’s not perfect — it’s not a custom build, and it’s not free — but for the price and deliverables, it’s a clear, focused option.