Cinematic LUT's: is this $34 stack worth it for Films?

If your footage looks flat after a LOG or S-Log capture, you know the grind: hunting for the right color grade, tweaking nodes until your eyes bleed, or paying $100+ for a LUT pack that feels generic. Cinematic LUT’s by Loris Marie is a $34 pack built specifically for that gap. It’s not a massive 50-file dump; it’s a tight, curated set of seven .cube files designed to work with both LOG and Rec709 sequences. If you want a high-contrast, cinematic look without spending hours building a grade from scratch, this is a focused tool to check out.

Quick answer

What you’re actually buying

At $34, you’re not just buying seven color files; you’re buying a specific aesthetic direction. The pack includes 7 LUTs for LOG & Rec709 (.cube files), which means they are compatible with the major editing suites: Adobe Premiere Pro, Final Cut Pro X, DaVinci Resolve, and even Photoshop. This cross-platform compatibility is a big deal if you bounce between NLEs or do color work in Resolve but edit in Premiere. (Cinematic LUT’s)

The real value here is the variety within the small number. Loris Marie has crafted distinct looks to cover different moods: a Cold look for commercial or automotive environments, a Vintage look with a slightly noisy black-and-white finish, and Warm/Modern looks designed to highlight skin tones. This isn’t just “make it teal and orange.” It’s a toolkit for specific jobs. For example, if you’re editing a car commercial, the Cold LUT gives you that crisp, industrial feel. If you’re doing a portrait-heavy piece, the Warm LUT keeps skin tones natural and flattering. (Cinematic LUT’s)

The pack also includes a 4-minute tutorial that walks you through the practical side of using these LUTs. It covers how to create a timeline, how to install the LUTs, and how to use masks to add depth to your image. This is crucial because LUTs can look “wrong” if you just slap them on without adjusting the underlying image. The tutorial teaches you the workflow: apply the LUT, adjust intensity, tweak white balance, and use masks. It’s a quick read that saves you from the common mistake of over-saturating or crushing blacks. (Cinematic LUT’s)

Finally, the pack is 615 MB, which is a reasonable size for a LUT collection. It’s not bloated with unnecessary files, so it downloads fast and doesn’t clutter your project folders. The files are organized and ready to use, which is a small but important quality-of-life feature. If you’re tired of digging through free LUT packs that are poorly named or broken, this is a clean, professional alternative. (Cinematic LUT’s)

Why it’s on our radar

This pack stands out because it’s specific rather than broad. Many LUT packs on the market try to be everything to everyone, resulting in a generic, “Instagram filter” look. Loris Marie’s approach is different: he’s built a pack for cinematic work, with a focus on high-contrast, deep blacks, and controlled highlights. This is the kind of look that makes footage feel like a movie, not a vlog. (Cinematic LUT’s)

The fact that it’s aimed at both amateurs and experienced colorists is also a smart move. Beginners get a quick way to get a professional look, while pros get a starting point that saves time. The inclusion of the tutorial is a nice touch that shows the seller cares about the user’s success, not just the sale. It’s a small detail, but it makes the pack feel more like a service than just a file download. (Cinematic LUT’s)

The price point of $34 is also reasonable for a curated pack. It’s not the cheapest LUT pack you’ll find, but it’s not the most expensive either. For the quality of the looks and the included tutorial, it’s a fair price. If you’re working on a commercial project or a high-end personal project, the time you save by using these LUTs instead of building grades from scratch is worth the cost. (Cinematic LUT’s)

What actually matters

Before you buy, make sure you’re shooting in a LOG or S-Log profile. The LUTs are designed to work best with these profiles, which have a wider dynamic range. If you’re shooting in standard Rec709, you can still use the LUTs, but the results might not be as dramatic. The listing recommends using image profiles like LOG C, SLOG, or C-LOG for the best results. This is a standard requirement for most cinematic LUTs, but it’s worth noting if you’re new to color grading. (Cinematic LUT’s)

You should also be comfortable with basic color grading. The LUTs are a starting point, not a magic button. You’ll need to adjust the intensity, white balance, and brightness to get the best results. The tutorial covers this, but if you’re completely new to color grading, you might want to spend some time learning the basics first. That said, the tutorial is a good primer, and the LUTs are designed to be user-friendly. (Cinematic LUT’s)

Finally, check the compatibility with your software. The .cube files are a standard format, so they should work with most NLEs and photo editors. But if you’re using a niche software that doesn’t support 3D LUTs, this pack won’t be useful. Most mainstream software (Premiere, Final Cut, Resolve, Photoshop) supports .cube files, so this is rarely an issue. (Cinematic LUT’s)

Mid-check

If you’re shooting in LOG and want a quick, cinematic look, See current options to confirm the pack is still available and check for any updates.

FAQ

Do these LUTs work with DaVinci Resolve? Yes, the .cube files are compatible with DaVinci Resolve, as well as Adobe Premiere Pro, Final Cut Pro X, and Photoshop. You can import them directly into your software and apply them to your clips. (Cinematic LUT’s)

Are these LUTs for LOG footage only? No, the pack includes LUTs for both LOG and Rec709 sequences. However, the best results are achieved when shooting in a LOG profile (like LOG C, SLOG, or C-LOG). If you’re shooting in Rec709, you can still use the LUTs, but you may need to adjust the intensity and white balance more carefully. (Cinematic LUT’s)

Is there a tutorial included? Yes, the pack includes a 4-minute video tutorial that covers how to install the LUTs, how to use them, and how to apply masks for a more polished look. It’s a quick guide that helps you get the most out of the LUTs. (Cinematic LUT’s)

Bottom line

Cinematic LUT’s is a solid, focused pack for anyone who wants a cinematic look without spending hours on color grading. The seven LUTs are well-crafted, the tutorial is helpful, and the price is reasonable. If you’re shooting in LOG and want a quick, professional look, this is a pack worth considering. It’s not a massive library, but it’s a tight, high-quality tool that can save you time and elevate your footage. If that matches your workflow, View on Gumroad to grab the pack and start grading.