Is QUICKFILM v1 - Powergrade + LUT Pack (Davinci Resolve) worth it if you’re shopping in Films?

If you shoot on a modern mirrorless or cinema camera and log your footage, you know the color grading grind. You spend hours tweaking curves, balancing skin tones, and fighting soft highlights just to get that “filmic” depth that makes a video look expensive. For solo creators and small production teams, that time is often the bottleneck between a rough cut and a polished deliverable. QUICKFILM v1 - Powergrade + LUT Pack by Jaydee Alberto is designed to cut that process down to minutes. It’s a $45 tool for DaVinci Resolve Studio users who want a consistent, organic look without building a grade from scratch every single time.

This isn’t a generic “warm filter” LUT. It’s a PowerGrade—a more complex node-based structure that handles the heavy lifting of contrast, texture, and highlight rolloff. If you’re tired of starting from a flat, lifeless image and want a shortcut that still feels customizable, the QUICKFILM v1 pack is a specific solution for the “film-like but modern” aesthetic. It’s built for people who shoot LOG footage and need a reliable, repeatable starting point for films, commercials, or high-end vlogs.

Quick answer

What you’re actually buying

At $45, you’re not just buying a color filter; you’re buying a workflow accelerator. The core of the offer is the Quickfilm V1 PowerGrade, which is built specifically for DaVinci Resolve Studio. Unlike a standard LUT that just maps colors, a PowerGrade uses nodes to emulate the complex tonal qualities of film stock—rich contrast, organic textures, and those soft, filmic highlights that digital sensors often lack. You drop it on your LOG footage, convert to REC709, and the grade does the heavy lifting. You’re left with just the fine-tuning: tweaking exposure, contrast, and white balance to match your specific scene.

The pack also includes four distinct LUT looks for Resolve users who want a different vibe or a simpler application. But the real value for non-Resolve users is the Quickfilm V1 LUT Pack included in the download. This means if you’re cutting in Premiere Pro, Final Cut, or another NLE that supports standard LUTs, you still get the core aesthetic without needing the full PowerGrade node structure. It’s a smart inclusion that widens the utility of the purchase.

One buyer noted that the inclusion of a tutorial was a game-changer for usability. They mentioned, “The LUTs look amazing, guys! Highly recommended, especially since it comes with a tutorial, so you won’t feel lost at all” (Gumroad reviews). That’s a critical detail. A lot of color science packs assume you know how to integrate them into your node tree or LUT stack. Having a guide that walks you through the “how” ensures you’re not just staring at a file, but actually implementing the look correctly.

Why it’s on our radar

This product stands out because it solves a very specific pain point: the “filmic” look is subjective and hard to replicate manually. Most LUTs give you a flat color shift, but they don’t handle the texture and highlight behavior that makes film look film. QUICKFILM v1 positions itself as a “PowerGrade,” which implies a more sophisticated approach to tonal shaping. For a solo operator or a small agency, the time saved by not rebuilding a grade from scratch on every project is easily worth the $45 entry price.

The fact that it includes both a Resolve-specific PowerGrade and a universal LUT pack makes it a versatile tool. You’re not locked into one workflow. If you’re a Resolve Studio user, you get the full power of the node-based grade. If you’re a hybrid editor who uses multiple NLEs, the LUT pack ensures you can maintain brand consistency across different software. It’s a practical, no-nonsense tool for people who value speed and consistency over endless manual tweaking. (QUICKFILM v1 - Powergrade + LUT Pack)

What actually matters

Before you buy, confirm that you are using DaVinci Resolve Studio. The listing explicitly states that the PowerGrade component requires the paid version of the software. If you’re on the free version, you won’t be able to use the full PowerGrade, though the LUTs might still work in a limited capacity depending on your other software. This is a hard requirement for the main feature. (QUICKFILM v1 - Powergrade + LUT Pack)

Check your footage type. This pack is optimized for LOG footage converted to REC709. If you’re shooting in standard Rec.709 or a flat profile that isn’t LOG, the grade might not behave as expected. The “filmic” look relies on the dynamic range and color space of LOG to work correctly. If you’re shooting high-contrast, already-graded footage, this might not be the right tool. (QUICKFILM v1 - Powergrade + LUT Pack)

Finally, look at the customizability. The seller emphasizes that you can tweak exposure, contrast, and white balance. This is important because a “one-size-fits-all” LUT often looks bad on faces or in high-contrast scenes. The ability to fine-tune the PowerGrade ensures you’re not stuck with a look that clashes with your specific lighting conditions. It’s a starting point, not a final answer. (QUICKFILM v1 - Powergrade + LUT Pack)

Mid-check

If you’re ready to streamline your grading workflow and want a consistent filmic look without the hours of manual tweaking, this is a solid investment for the price. (QUICKFILM v1 - Powergrade + LUT Pack)

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FAQ

Does QUICKFILM v1 work with the free version of DaVinci Resolve? No, the PowerGrade component specifically requires DaVinci Resolve Studio (the paid version). If you are on the free version, you will not be able to use the full PowerGrade. However, the LUTs included in the pack may be usable in other software or in a limited way, but the primary feature is locked to the paid license.

Can I use the LUTs if I don’t use DaVinci Resolve? Yes. The pack includes a Quickfilm V1 LUT Pack specifically for non-Davinci Resolve users. This means you can apply the looks in Premiere Pro, Final Cut Pro, or any other NLE that supports standard .cube LUTs. You just won’t get the advanced node-based PowerGrade features that are exclusive to Resolve Studio.

Is this just a simple color filter? No. While it includes LUTs, the core of the product is a PowerGrade that uses nodes to emulate film characteristics like organic textures and soft highlights. It’s more complex than a simple color shift, designed to handle tonal shaping and contrast in a way that mimics film stock. (QUICKFILM v1 - Powergrade + LUT Pack)

How much time does it save? It’s designed to be a “quick shortcut.” Instead of building a grade from scratch, you apply the PowerGrade and then fine-tune exposure, contrast, and white balance. For most shots, this can reduce grading time from hours to minutes, especially if you’re working on multiple projects or need a consistent look across a series of videos. (QUICKFILM v1 - Powergrade + LUT Pack)

Bottom line

If you’re a DaVinci Resolve Studio user who shoots LOG footage and wants a reliable, filmic look without the time cost of manual grading, QUICKFILM v1 - Powergrade + LUT Pack is a smart buy. It’s a specialized tool that does one job well: turning flat LOG footage into a rich, organic image with minimal effort. The $45 price point is reasonable for the time it saves and the consistency it provides. If you’re stuck in the “grading grind” and want a shortcut that still allows for customization, this is a tool that will pay for itself in your first few projects.