Summer Film LUTs | Film Emulation LUTs …: is this $34 stack worth it for Films?
If you shoot on a mirrorless or cinema camera and hate the flat, washed-out look of LOG footage, you know the pain of spending an hour just trying to get colors that feel “real.” You don’t always have time for a full color science pipeline in DaVinci Resolve, especially if you’re cutting in Premiere or Final Cut. That’s where Summer Film LUTs steps in. It’s a $34 pack from Loris Marie that bridges the gap between raw footage and a finished, cinematic look without forcing you to change your entire workflow. It’s built for people who want that deep, contrasty film aesthetic—think Kodak 2383 and Fujifilm 3513—without the steep learning curve of manual grading.
Quick answer
| Best for | Videographers and editors who want a quick, consistent “film look” in Premiere, Final Cut, or CapCut without building a custom grade from scratch. |
| Skip if | You are strictly a DaVinci Resolve colorist who prefers building grades from scratch, or if you shoot exclusively in S-Log3 without proper exposure control. |
| Price | $34 |
| Format | 5 .cube LUTs + video tutorial + PDF install guide |
| One-line take | A practical, multi-software bridge that brings the “PowerGrade” aesthetic to non-Resolve editors. |
What you’re actually buying
At $34, you aren’t just getting five files; you’re getting a specific aesthetic translated into a format that works almost anywhere. The core of the pack is five professional .cube LUTs, which are the universal standard for color transformation. These aren’t generic “teal and orange” presets; they are emulations of specific film stocks, including the famous Kodak 2383 and Fujifilm 3513. This matters because those stocks have distinct characteristics—deep greens, natural skin tones, and a specific type of contrast—that define a lot of modern cinematic content. (Summer Film LUTs |)
The real value here is the compatibility. While many LUT packs are Resolve-only or require you to know how to bake them into other software, this pack explicitly supports DaVinci Resolve, Premiere Pro, Final Cut Pro, and CapCut. That means if you’re a social media creator editing in CapCut or a wedding videator in Premiere, you can drag and drop these looks directly into your timeline. It removes the friction of “I have a look I like, but I can’t use it in my main editor.”
You also get the support layer that often gets skipped in cheap LUT packs. There’s a complete video tutorial showing how to apply the LUTs in Premiere, Resolve, and CapCut, plus a step-by-step PDF installation guide. This is crucial for beginners who might not know where to put the .cube files or how to adjust the opacity to avoid over-saturation. The pack is 147 MB, so it’s a quick download, and you get free updates for life, which is a nice touch for a one-time purchase. (Summer Film LUTs |)
Why it’s on our radar
This pack is interesting because it solves a very specific workflow bottleneck: the “Resolve-to-Premiere” gap. Many creators discover they love the looks they can create in Resolve but then struggle to replicate them in their daily editing software. By packaging these looks as standard .cube files with clear tutorials for multiple platforms, Loris Marie makes a high-end aesthetic accessible to a broader range of editors. (Summer Film LUTs |)
It’s also a strong value proposition for the price. For $34, you’re getting a curated set of five distinct looks, not just one “master” LUT. The inclusion of both LOG and Rec.709 compatible versions means it’s versatile for different shooting styles. Whether you’re shooting on a Sony with S-Log or a Canon with C-Log, or even just standard Rec.709 from a mirrorless, the pack is designed to handle the input and output the same way. It’s a practical tool for anyone who wants to speed up their post-production while maintaining a consistent, professional visual identity. (Summer Film LUTs |)
A Gumroad review highlights the simplicity of the experience: “works great I highly recommend it.” It’s a short endorsement, but it points to the core promise of the product: it just works, without needing a PhD in color science to get a good result.
What actually matters
Before you buy, check your camera’s color profile. The LUTs are optimized for LOG and Rec.709 footage. If you’re shooting in a highly compressed, flat profile that isn’t well-exposed, the LUT might struggle to pull out detail in the shadows or highlights. The listing recommends adjusting white balance, brightness, and blacks before applying the LUT, which is standard best practice but worth noting if you’re a beginner. (Summer Film LUTs |)
Also, consider your primary editing software. If you’re a heavy CapCut user, the fact that the tutorial specifically covers CapCut is a huge plus. Many LUT packs ignore mobile or social-first editors entirely. If you’re working in Premiere or Final Cut, the .cube format is native, so you won’t need any third-party plugins. (Summer Film LUTs |)
One thing to verify is your monitor calibration. LUTs are subjective; what looks “cinematic” on a calibrated display might look different on a laptop screen. Since these are emulations of film stocks, they are designed to look a certain way, but your final output will depend on your display. If you’re delivering for social media, the “Render Social Media” note in the description suggests the creator has tested these for compressed formats, which is a good sign for Instagram or YouTube thumbnails. (Summer Film LUTs |)
Mid-check
If you’re ready to test these looks on your next project, you can See current options to grab the pack.
FAQ
Do these LUTs work with Sony S-Log or Canon C-Log? Yes. The pack is designed for LOG footage, which includes profiles like S-Log, C-Log, and V-Log. You should apply the LUT after you’ve corrected your white balance and exposure to get the best result. (Summer Film LUTs |)
Can I use these in CapCut on my phone? Yes. The listing explicitly states compatibility with CapCut, and the video tutorial includes instructions for applying the LUTs in that software. This makes it one of the few packs that’s truly useful for mobile-first creators. (Summer Film LUTs |)
Is this a one-time purchase? Yes, it’s a $34 one-time purchase. You also get free updates for life, so if Loris Marie adds new LUTs or fixes bugs, you’ll have access to them without paying again. (Summer Film LUTs |)
Do I need DaVinci Resolve to use these?
No. That’s the main selling point. While the LUTs were built from a PowerGrade workflow, they are exported as .cube files that work in Premiere Pro, Final Cut Pro, and CapCut. You don’t need Resolve to use them. (Summer Film LUTs |)
Bottom line
If you’re tired of flat footage and don’t have time to learn complex color grading, Summer Film LUTs is a smart, low-friction way to get a professional look. It’s not a magic button, but it’s a solid starting point that saves you hours of trial and error. For $34, you get a versatile pack that works across your entire editing stack, with the tutorials to back it up. If you shoot LOG or Rec.709 and want a cinematic vibe without the headache, this is a no-brainer.