Is THE BUNDLE - LIGHT & SHADOWS / YOSEMITE SERIES - iPhone 13 & Up CINEMATIC Mode Presets (for Adobe Premiere Pro on Desktop) worth it if you’re shopping in Films?

You shoot on an iPhone 13 or newer, you hit record in Cinematic Mode, and you pull the footage into Adobe Premiere Pro on your desktop. Then you stare at the timeline. The colors feel flat, the shadows look muddy, and that “cinematic” tag on the camera feels like a marketing promise that didn’t make it to the edit. You could spend hours tweaking LUTs, color wheels, and curves, or you can buy a pack that was specifically built for this exact workflow. (THE BUNDLE - LIGHT)

Bryan Adam Castillo’s Light & Shadows / Yosemite Series bundle is a $35 pack of ten Adobe Premiere Pro color grading presets designed to take your iPhone Cinematic Mode footage from “phone video” to something that looks like it was shot on a cinema camera. It’s not a generic LUT collection; it’s a targeted tool for creators who already have the hardware but need the post-production polish to match. If you’re tired of guessing how to grade HDR iPhone footage in Premiere, this is a low-risk way to get a professional look without learning color science from scratch.

Quick answer

What you’re actually buying

At $35, you’re getting a full stack of ten distinct looks, split into two thematic families: the Light & Shadows series and the Yosemite series. This isn’t just one “cinematic” LUT that does everything; it’s a toolkit. The Light & Shadows collection includes Deep, Warmth, Soft, Mono, and Subtle, giving you a range from moody and dark to clean and airy. The Yosemite series covers Daytime, Clean, Deep, Cloudy, and Rich, which is particularly useful if you shoot outdoor content or want that specific, crisp natural light aesthetic. (THE BUNDLE - LIGHT)

The real value here is the specificity. Most preset packs are “one size fits all,” which often means they look great on one type of footage and terrible on another. These are explicitly built for iPhone 13 and up Cinematic Mode footage. That means the colorist has already accounted for the dynamic range, the specific sensor behavior, and the HDR characteristics of the newer iPhones. You’re not fighting the presets; you’re applying them to footage they were designed for. (THE BUNDLE - LIGHT)

The bundle also includes clear instructions for importing the presets into Adobe Premiere Pro. More importantly, it addresses a common headache: Color Space Override. If you’re running Adobe Premiere Pro v22.0 or higher, the listing explicitly walks you through converting your imported iPhone footage to the Rec.2020 Color Space before applying the presets. This step is critical for preserving the high dynamic range of the iPhone video, and the fact that the seller includes this specific workflow note makes the pack feel like a complete solution, not just a file download.

Why it’s on our radar

This pack stands out because it solves a very narrow, very specific problem: grading iPhone Cinematic Mode footage in Adobe Premiere Pro on desktop. The market is flooded with generic LUTs that claim to work on “any camera,” but the iPhone’s HDR and Cinematic Mode have unique quirks that generic presets often miss. By limiting the scope to iPhone 13+ and Premiere Pro, Bryan Adam Castillo creates a product that is highly reliable for its target user. (THE BUNDLE - LIGHT)

The price point is also interesting. At $35, it’s cheaper than a single hour of a professional colorist’s time, but it’s a one-time investment that saves you hours of manual grading on every future project. The inclusion of both “Light & Shadows” and “Yosemite” themes gives you enough variety to cover most content types—whether you’re shooting moody vlogs, bright travel content, or moody cinematic shorts—without needing to buy additional packs. (THE BUNDLE - LIGHT)

What actually matters

Before you buy, confirm your software version. These presets only work with Adobe Premiere Pro for desktop. If you’re using Final Cut Pro, DaVinci Resolve, or the mobile version of Premiere Rush, this product will not work for you. The listing is clear on this, but it’s the #1 reason for refunds in this niche. (THE BUNDLE - LIGHT)

Second, check your Adobe Premiere Pro version. If you’re on v22.0 or higher, you must follow the Rec.2020 Color Space Override steps included in the download instructions. Skipping this step will result in flat, washed-out colors that don’t match the preview images. If you’re on an older version, you can skip the color space conversion and apply the presets directly. (THE BUNDLE - LIGHT)

Finally, consider your content type. The Mono preset in the Light & Shadows series is great for dramatic, high-contrast looks, while the Clean and Daytime presets in the Yosemite series are better for bright, airy content. If you shoot a mix of both, this bundle covers your bases. If you only shoot one style, you might still find value in the variety, but know that you’re paying for ten looks, not just one. (THE BUNDLE - LIGHT)

Mid-check

If you’re ready to stop guessing and start grading, you can See current options to grab the bundle.

FAQ

Do these presets work with iPhone 12 or older? No. The presets are specifically designed for iPhone 13 and up Cinematic Mode footage. Older iPhones have different sensor characteristics and dynamic range, so the presets may not look as intended. (THE BUNDLE - LIGHT)

Can I use these in Adobe Premiere Rush (mobile)? No. These are desktop-only presets for Adobe Premiere Pro. They will not work in the mobile app. (THE BUNDLE - LIGHT)

What if my colors look flat after applying the presets? If you’re using Adobe Premiere Pro v22.0 or higher, you likely skipped the Rec.2020 Color Space Override step. Follow the instructions in the download to convert your footage’s color space before applying the presets. This is essential for preserving the HDR look. (THE BUNDLE - LIGHT)

Are there refunds? No. The listing states that all sales are final and the downloaded preset pack cannot be returned. Make sure you’re on the right software and camera model before purchasing. (THE BUNDLE - LIGHT)

Bottom line

If you shoot on an iPhone 13 or newer and edit in Adobe Premiere Pro on desktop, this $35 bundle is a no-brainer. It saves you hours of manual color grading and gives you a professional, cinematic look that’s specifically tuned for your camera’s strengths. The inclusion of workflow instructions for the Rec.2020 color space makes it a complete package, not just a file dump. If you’re tired of flat footage and want to level up your post-production without learning color science, grab the Light & Shadows / Yosemite Series bundle and start creating.